Today's topic is inspired by a post I recently read on The Twisted Rope entitled "What Makes a 'Devout' Polytheist?" If you haven't already, you should take a few minutes to read it. Go on, I'll be here when you get back. I promise!
Her point could be summed up with these questions: "isn’t there more to your religion than the shrine you bow in front
of? Isn’t there more than one way to show your devotion to the gods and
the religion that they are a part of?" She talks about things like blogging and writing, community building (both online and off), crafting, or just talking to other polytheists about religion and gods as a form of devotion. And all of those can be just as meaningful as sitting in front of a shrine. Yes, spending time at your shrine is important, but devotion is
something that you live in all aspects of your life.
Otherwise your spirituality looks something like that of the anecdotal
Christian who attends church every Sunday, yet acts in a decidedly
un-Christian manner the other 167 hours of the week.
I know that for my part, my devotion is shown in the adoration I feel towards
my gods, in the sense of peace and joy I feel whenever I glance across
the room at my shrines. It is a simple, but profound experience every time.
While I more or less agree with everything that Devo said, one important thing that she didn't touch on is that (in my opinion) a big part of devotion is the way in which you treat your gods, inside ritual and out. Being a polytheist means viewing the gods as independent, distinct beings - and treating them as such. I believe that the gods care about us; they want us to be happy and whole, and they can help us to become so. However, this does not mean that the gods exist simply to please us or solve our problems. You shouldn't go to them with offerings and praise only when you want something in return, because the gods are not your personal biatches. In that sense, being devout is being able to honor the gods just for the sake of honoring them.
The other significant point here is that Devo (rightly so) differentiates between the devotional responsibilities between priests and laypeople. And that difference is what I really got hung up on.
For much of my life, I have wanted to be a priest. Even when I was a little girl and Catholicism was all I knew, I wanted to be a nun. A life of devotion to one's god and service to one's community is an intimidating prospect, but that life is one that has always been extremely appealing to me.
So where does that leave a polytheist wannabe-priest? More to the point, where does that leave the misfit tri-pantheon polytheist wannabe-priest? Can I be a priest of three pantheons at once, or do I need to pick a primary one to be a priest of? What do you do when you feel like you have no one community to call your own? Can I call myself a priest when I serve the gods but no community?
Among my friends, I have described myself as being my own priest, but I mean that in only the most matter-of-fact way. I literally do act as my own priest in the majority of my life and spirituality. But what does that even matter in a religious group filled to the brim with self-described priests?
So that's what Devo's post did to me. It reminded me for the hundredth time what a weird half-place I'm in. I enjoy ritual more than many things in my life (despite the fact that it is a chore on occasion). Aside from the good it does the gods, ritual is fulfilling and it brings me peace. As cheesy as it might sound, I really do feel like it is a way in which I am meant to bring some small bit of ma'at into not only my life, but into... well, everything. I try to do ritual and give offerings every day, and I often succeed. But I also fail miserably at times, so where does that leave me? I think of being a priest as a lifestyle, a profession, something that you not only want to fulfill, but are obligated to. But is that even possible - or more importantly, fair - when I also need to make a living and may not be able to put as much time into a priesthood as I feel I need to?
Dear Deithe, Iluma, and Netjeru, I feel so hopeless sometimes!
Exploring spirituality somewhere between the Emerald Isle and the Black Land....
Monday, June 17, 2013
Tuesday, May 21, 2013
Diancecht Is Not a Jerk
A while back, a well-meaning friend gave me a book called "A Druid's Herbal for the Sacred Earth Year." While I have to admit that the book does have some useful information as far as herbology goes, the mythological and theological approach the author took was frustrating, to say the least. I can't help it; anytime someone goes around saying that Morrighan is a triple goddess, I kind of want to smack them. (She isn't. The triple goddess concept is not Celtic.)
Now, I could continue to pick apart all the nonsense the author said about Morrighan, but I'll settle for telling you that if you decide to read or have read that book, you might as well disregard everything the author says about Morrighan. Today, there's another deity I feel I need to stand up for. And that god is Diancecht.
Poor Diancecht has such a bad reputation. In the retelling of his story in "A Druid's Herbal," as well as retellings I've heard many other Pagans repeat, it's the same thing. "He's angry! He's jealous! He murdered his son!" Ok, so that last one may be true, but that's not what I'm going to focus on at the moment. It is the words "angry" and "jealous" that I get hung up on when people try to tell his myth, and I'm going to try to explain why.
The story in question occurs after the battle between the Tuatha Dé Danann and the Fir Bolg. Nuadu's hand had been cut off, and Diancecht created for him a new one made of silver, which had the movement of a real hand. However, Diancecht's son Miach wasn't at all satisfied with this cure. Miach restored Nuadu's severed hand, healing the king. It is at this point that Diancecht seems to loose his shit. He threw his sword at Miach's head, cutting into the flesh. Miach healed himself, and Diancecht struck him again, this time cutting into the bone. Again Miach healed himself, and for a third time Diancecht struck him, cutting into his brain and killing him instantly. Diancecht buried his son, and 365 herbs grew from the grave, the same number as the joints and sinews of his body. At that point Airmed, Diancecht's daughter and Miach's sister, spread her cloak on the ground and picked and sorted the herbs according to their properties. Diancecht then mixed up all of the herbs, so that no one knows all of their healing properties.
Now I'm going to talk about the texts themselves, how I interpret them, and why. If you want to read them for yourself, translations can be found here and here.
Regarding Diancecht's "jealousy" about Nuadu's newly healed hand, one of the texts says simply that "Dian Cecht did not like that cure." Another says "But Diancecht was vexed when he saw his son doing a better cure, than himself..." Admittedly, it is an argument of semantics to say that Diancecht's annoyance at his son doing better cure isn't the same as saying that he was jealous of it, but I will take on that argument.
In this story, I look at Diancechet as a god of doctors, healers, and physicians. Miach is also a god of healing, but more than that, I see him as a god of regeneration. Therefore, to say that Diancecht was annoyed by his son's cure or that he simply didn't like it, is a mythological statement of fact. Humans cannot regenerate missing appendages. Until recently, reattaching missing body parts was a medical impossibility, and even now the process is iffy. This is why I say Diancecht's dislike of Miach's cure was not borne of jealousy. It is simply a statement that Miach's cure was something outside the scope of human ability.
So how do you get from disliking something that someone does, to repeatedly hurling a sword at that someone's head? Well, for one thing, I think this is another exploration of human ability. Flesh wounds and broken bones can heal on their own, barring any sort of infection, but once you damage the brain, you're pretty much screwed unless you have immediate and extensive medical care. In some movies, damaging the brain is even how you kill zombies, like in "Shaun of the Dead." Remove the head or destroy the brain, right?
More significantly, I see this as a sort of origin story of healing herbs. Just think about it - from the grave of the god of healing and regeneration comes 365 herbs, each corresponding to his body parts. In a mythological sense, the herbs that heal us could have only come from there. And in this sense, Diancecht's act is one of necessity, for without the felling and burial of Miach, we would have no medicine. Likewise, I see Diancecht's scattering of Aired's collection of these herbs as an explanation of their complexity. Being a competent herbologist takes years of study, and even so, no matter how experienced you are, there is always more to learn and discover.
Some may think that my interpretation of this myth is a stretch, but one has to remember that mythology is metaphor. In my experience, myths are about more than they appear to be on the surface. So the next time you tell this story, or hear someone else doing so, please don't be so hard on Diancecht. He is not a villain. He is one of the Tuatha Dé Danann. He is a god.
Now, I could continue to pick apart all the nonsense the author said about Morrighan, but I'll settle for telling you that if you decide to read or have read that book, you might as well disregard everything the author says about Morrighan. Today, there's another deity I feel I need to stand up for. And that god is Diancecht.
Poor Diancecht has such a bad reputation. In the retelling of his story in "A Druid's Herbal," as well as retellings I've heard many other Pagans repeat, it's the same thing. "He's angry! He's jealous! He murdered his son!" Ok, so that last one may be true, but that's not what I'm going to focus on at the moment. It is the words "angry" and "jealous" that I get hung up on when people try to tell his myth, and I'm going to try to explain why.
The story in question occurs after the battle between the Tuatha Dé Danann and the Fir Bolg. Nuadu's hand had been cut off, and Diancecht created for him a new one made of silver, which had the movement of a real hand. However, Diancecht's son Miach wasn't at all satisfied with this cure. Miach restored Nuadu's severed hand, healing the king. It is at this point that Diancecht seems to loose his shit. He threw his sword at Miach's head, cutting into the flesh. Miach healed himself, and Diancecht struck him again, this time cutting into the bone. Again Miach healed himself, and for a third time Diancecht struck him, cutting into his brain and killing him instantly. Diancecht buried his son, and 365 herbs grew from the grave, the same number as the joints and sinews of his body. At that point Airmed, Diancecht's daughter and Miach's sister, spread her cloak on the ground and picked and sorted the herbs according to their properties. Diancecht then mixed up all of the herbs, so that no one knows all of their healing properties.
Now I'm going to talk about the texts themselves, how I interpret them, and why. If you want to read them for yourself, translations can be found here and here.
Regarding Diancecht's "jealousy" about Nuadu's newly healed hand, one of the texts says simply that "Dian Cecht did not like that cure." Another says "But Diancecht was vexed when he saw his son doing a better cure, than himself..." Admittedly, it is an argument of semantics to say that Diancecht's annoyance at his son doing better cure isn't the same as saying that he was jealous of it, but I will take on that argument.

So how do you get from disliking something that someone does, to repeatedly hurling a sword at that someone's head? Well, for one thing, I think this is another exploration of human ability. Flesh wounds and broken bones can heal on their own, barring any sort of infection, but once you damage the brain, you're pretty much screwed unless you have immediate and extensive medical care. In some movies, damaging the brain is even how you kill zombies, like in "Shaun of the Dead." Remove the head or destroy the brain, right?
More significantly, I see this as a sort of origin story of healing herbs. Just think about it - from the grave of the god of healing and regeneration comes 365 herbs, each corresponding to his body parts. In a mythological sense, the herbs that heal us could have only come from there. And in this sense, Diancecht's act is one of necessity, for without the felling and burial of Miach, we would have no medicine. Likewise, I see Diancecht's scattering of Aired's collection of these herbs as an explanation of their complexity. Being a competent herbologist takes years of study, and even so, no matter how experienced you are, there is always more to learn and discover.
Some may think that my interpretation of this myth is a stretch, but one has to remember that mythology is metaphor. In my experience, myths are about more than they appear to be on the surface. So the next time you tell this story, or hear someone else doing so, please don't be so hard on Diancecht. He is not a villain. He is one of the Tuatha Dé Danann. He is a god.
Tuesday, April 16, 2013
And Then There Was ‘Anatu and ‘Athtartu
Or, "Why Kaif is a Big Fat God Slut."
Some time ago, I stumbled across Tess Dawson's website, Natib Qadish: Modern Canaanite Polytheism. After poking around a bit, I found a brief description of the goddess ‘Anatu, a deity of war and loyalty. She was described as being young, fierce and fearless, and ready to defend those she cares about.
Despite how short the description of ‘Anatu was, it really made an impression on me. The feeling I got reading about her was kind of like the feeling you get when you meet some one new, and know instantly that you're going to be friends. Needless to say, I was immediately hooked, and eager to learn more about this deity. Yet at the same time, I must admit that part of me was a little frustrated as well. I had just gotten a handle on my Kemetic goings-on and wanted to continue to focus on that, to continue to nurture the relationships that I had spent roughly a year developing. However, the feeling I got about ‘Anatu was one I had learned not to ignore. After some extensive internal debate, and some reassurances to and from the Netjeru, I eventually managed to strike a compromise with myself. My immersion into Canaanite polytheism or Natib Qadish was a slow process as I learned about ‘Anatu and her fellow Caananite gods, culture, and religion bit by bit, while still keeping the focus on further establishing my Kemetic practices.
Eventually, ‘Athtartu started creeping into my mind as well. Tess Dawson's website describes her as "a goddess of compassion, restraint, and peace," and a goddess of justice. In other words, very different from ‘Anatu! It confused me a great deal that these two very different deities were both so appealing to me (or that I was so appealing to them, whichever the case may be), but I eventually learned that according to legend, ‘Athtartu and ‘Anatu were friends and would go hunting together. Discovering that was one of those beautiful moments when your own intuition can be validated by research, and that's when their connection really clicked for me. It is difficult to put into words as this understanding is so visceral, but it's about the wholeness of two seemingly separate and opposing parts. They are the warrior and the diplomat; the need to fight or make peace, act or react, and to me, together they represent the need and the wisdom to take the appropriate action at the appropriate time. This insight gave sense to my fascination with these goddesses, since one of the things I've struggled with all my life is knowing when to push and when to pull.
I recently decided to take the plunge and give the goddesses a shrine of their own, and begin some sort of formal practice for them. Despite my limited skill, I had previously made statues for them. ‘Anatu is in a smiting pose similar to those of other Canaanite warrior deities, holding a spear in hand, and ‘Athtartu is in a gentle pose, sporting the prominent pubic triangle with which she is often identified. I put these statues on a shelf with some modest decoration, and while it's a simple shrine, I like the result:
If you are interested Cananite Polytheism, check out Natib Qadish: Modern Canaanite Polytheism and Kinaʻani: Impressions of Tess Dawson, Canaanite Polytheist. For more information about ‘Anatu and ‘Athtartu specifically, read "Oh My Goddess-es: Identities of Inanna, Astarte, Ishtar, ‘Athtartu, ‘Anatu, and Athiratu" to learn more about them. :)
Some time ago, I stumbled across Tess Dawson's website, Natib Qadish: Modern Canaanite Polytheism. After poking around a bit, I found a brief description of the goddess ‘Anatu, a deity of war and loyalty. She was described as being young, fierce and fearless, and ready to defend those she cares about.
Despite how short the description of ‘Anatu was, it really made an impression on me. The feeling I got reading about her was kind of like the feeling you get when you meet some one new, and know instantly that you're going to be friends. Needless to say, I was immediately hooked, and eager to learn more about this deity. Yet at the same time, I must admit that part of me was a little frustrated as well. I had just gotten a handle on my Kemetic goings-on and wanted to continue to focus on that, to continue to nurture the relationships that I had spent roughly a year developing. However, the feeling I got about ‘Anatu was one I had learned not to ignore. After some extensive internal debate, and some reassurances to and from the Netjeru, I eventually managed to strike a compromise with myself. My immersion into Canaanite polytheism or Natib Qadish was a slow process as I learned about ‘Anatu and her fellow Caananite gods, culture, and religion bit by bit, while still keeping the focus on further establishing my Kemetic practices.
Eventually, ‘Athtartu started creeping into my mind as well. Tess Dawson's website describes her as "a goddess of compassion, restraint, and peace," and a goddess of justice. In other words, very different from ‘Anatu! It confused me a great deal that these two very different deities were both so appealing to me (or that I was so appealing to them, whichever the case may be), but I eventually learned that according to legend, ‘Athtartu and ‘Anatu were friends and would go hunting together. Discovering that was one of those beautiful moments when your own intuition can be validated by research, and that's when their connection really clicked for me. It is difficult to put into words as this understanding is so visceral, but it's about the wholeness of two seemingly separate and opposing parts. They are the warrior and the diplomat; the need to fight or make peace, act or react, and to me, together they represent the need and the wisdom to take the appropriate action at the appropriate time. This insight gave sense to my fascination with these goddesses, since one of the things I've struggled with all my life is knowing when to push and when to pull.
I recently decided to take the plunge and give the goddesses a shrine of their own, and begin some sort of formal practice for them. Despite my limited skill, I had previously made statues for them. ‘Anatu is in a smiting pose similar to those of other Canaanite warrior deities, holding a spear in hand, and ‘Athtartu is in a gentle pose, sporting the prominent pubic triangle with which she is often identified. I put these statues on a shelf with some modest decoration, and while it's a simple shrine, I like the result:
The shrine of ‘Anatu (on the left) and ‘Athtartu (on the right), with offerings of a candle, incense, and water. |
If you are interested Cananite Polytheism, check out Natib Qadish: Modern Canaanite Polytheism and Kinaʻani: Impressions of Tess Dawson, Canaanite Polytheist. For more information about ‘Anatu and ‘Athtartu specifically, read "Oh My Goddess-es: Identities of Inanna, Astarte, Ishtar, ‘Athtartu, ‘Anatu, and Athiratu" to learn more about them. :)
Tuesday, March 26, 2013
Heka, Masaru Emoto Style
I thought this video would make a good follow-up to my previous heka post. It is a brief yet brilliant summary of Masaru Emoto's work. For those of you who are unfamiliar with it, in a nutshell, Mr. Emoto took pictures of water molecules after they had been exposed to various words and intentions. I first heard of Masaru Emoto's work several years ago, but didn't give it much thought then. However, coming to Kemeticism and learning about the concept of heka gave me a new perspective on what he has done, as well as a great appreciation for it. Just watch this video, and you can see why.
Remember, words have the power to create. They have the power to heal. Saying so is not just fluffy nonsense - it's true!
Remember, words have the power to create. They have the power to heal. Saying so is not just fluffy nonsense - it's true!
Monday, February 11, 2013
Moon Ritual
As a followup to my sun ritual, I want to share with you a moon ritual as well. Because of my Irish Celtic focus, I always sing the following song for Boann, but it can work for any lunar goddess, such as Selene.
Simply go out into the light of the moon (a full one is most appropriate, I think!), light some incense and a candle, sing, and pray.
Simply go out into the light of the moon (a full one is most appropriate, I think!), light some incense and a candle, sing, and pray.
Welcome to you,
Jewel of the night!
Beauty of the heavens,
Jewel of the night!
Mother of the stars,
Jewel of the night!
Fosterling of the sun,
Jewel of the night!
Majesty of the stars,
Jewel of the night!
Jewel of the night!
Jewel of the night!
Monday, January 21, 2013
A Sun Ritual
Sometimes, the simplest rituals are the most meaningful. Imagine going outside at dawn, lighting some incense, and then singing a song of praise to the sun as it rises....
I want to share with you a song I learned during my time at the temple. It can be used as I describe above, the crown of a simple outdoor ceremony, or integrated into a more elaborate ritual of any style. The song (and accompanying ritual, if you wish) is perfect to perform at sunrise or on the winter solstice. Or whenever the mood strikes you. I often sing it on cold days when the sun has come out to warm me up. In fact, because I enjoy singing it so much, I frequently find myself singing it just for the hell of it!
So here it is, "The Sun":
I want to share with you a song I learned during my time at the temple. It can be used as I describe above, the crown of a simple outdoor ceremony, or integrated into a more elaborate ritual of any style. The song (and accompanying ritual, if you wish) is perfect to perform at sunrise or on the winter solstice. Or whenever the mood strikes you. I often sing it on cold days when the sun has come out to warm me up. In fact, because I enjoy singing it so much, I frequently find myself singing it just for the hell of it!
So here it is, "The Sun":
Welcome to you, O Sun of the Season!
You, walking high in the heavens,
your footsteps strong on the wings of the heights;
you, the adored Mother of the Stars.
You lie down in the destructive ocean
without misfortune and without fear;
you rise up on the forked wave of peace,
a queenly maiden blooming.
Tuesday, December 18, 2012
Reconnecting
In June 2011, Temple of the River closed. It was my spiritual home for nearly six years, and while I learned many amazing things and met one of my best friends there, by the time its doors closed, I must admit that I was somewhat relieved to see it's demise. For a number of reasons, the last couple of years at the temple were very difficult for me. Its focus became so external that, as a result, my own energy was spent promoting the temple rather than nurturing my own spirituality. It happened so slowly that I didn't notice it until one day I just realized how utterly disconnected I felt from my practice and my gods. Still, I continued. For all the other troubles there were, I believed in what the temple was doing, and I wanted it to go on. But things continued to decline, and my spirituality continued to feel more and more hollow. My connection with my gods continued to wane. And still, because of my loyalty, because of everything that I had learned, I continued. And then one day, my then-teacher sent me an email, saying that, "Tonight I felt a great outrage from the Mórríghan. I have spoken closely with Lugh and Mórríghan about your apprenticeship and they are quite clear that you are out of second chances."
As I said, by that point, I had almost no remaining connection to my gods. And whatever was left was shattered by that declaration. Despite the fact that part of me knew how ridiculous his claim was, the other part of me, the part that was still the submissive student, figured that he had to be right. He knew a lot of things, had been my trusted teacher and priest for years. If anyone could know such a thing, it had to be him, right? The sensible part told myself that if this was correct, Morrighan herself would have told me so - and yet I felt no such outrage. But on the other hand, I wasn't feeling much of anything. The frightened part of myself said the silence was proof that Morrighan had to be pissed off at me. She was pissed off because I was ignoring her, because I was a terrible student, and because I was being whiny and weak for not doing more for the temple, despite all I had already given and how exhausted and strained I had become. I was a failure, plain and simple. I was not worth Morrighan's time. I was not worth any god's time.
For a couple of months after I left the temple, my spirituality was more or less nonexistent. The gods and the lore were always in the back of my mind, but I couldn't bring myself to do much of anything about it. There were still too many wounds that were still too fresh. Then I got into Kemetic religion, and learning about something so different helped to ease me back into a spiritual state of being. As a result, I was able to make more of an effort to reestablish a connection with my Celtic beliefs and practices. It wasn't much; an Imbolc celebration here, a little offering there, and maybe a couple of prayers in between. Still, there wasn't much feedback. By the time I wrote this post, I had realized that my Celtic practices still carried too many negative associations from my time at the temple, and thus decided to set them aside altogether to focus on my Kemetic ones. That post was a dedication to Morrighan and An Badb Cath before I went on my way, in case I would never be able to return to them.
Then something amazing happened. Last week, I felt a calling. I sat down in front of my long-neglected Celtic altar, and felt inspired to make offerings to Morrighan. It had been months since I had done any such thing, and the feeling I got from her was unlike anything I'd experienced before. In most ways she was the same; Morrighan's presence always felt to me like I was being wrapped in a darkness that was all at once beautiful, powerful, and comforting. But this time there was something more. There was a loving, caring, warm welcome. I was the child, confused and unhappy, who had to go her own way for a while; she was the mother who let me go, knowing that I had to have my own adventures and make my own mistakes. That offering was the homecoming. She welcomed me with a hug and a glad heart, as if to say, "you're finally here. I've been waiting for you, and I'm so happy to have you back. Welcome home!"
I finally feel like I can return to my Celtic practices. They feel new, and whole, and most importantly, they feel like mine. I doubt that Morrighan was ever outraged at me. I don't know why my former teacher told me such a thing. Maybe he was mistaken, maybe he was projecting his own frustrations, maybe he was trying to manipulate me. I don't think I'll ever know, but at this point, it doesn't matter anymore. I believe that Morrighan wanted me to go my own way for a while and figure things out for myself. I also believe that she called me when she knew I sorted my issues out, and that she knew I'd come back. Regardless of what happened at the temple, or what baggage it left me with, I know now that Morrighan is indeed my goddess, and that I am her child. I know that she wants me around, that she loves me. I see now that the rough road was worth it for this affirmation.
The reason I am sharing all of this is not to air my dirty laundry on a public forum. I have said the things that I have said only because they are a part of my story of uncertainty and disconnection. I have said the things I have said to show how shattered my faith had become, and subsequently, how it became restored. I have said these things with the hope of encouraging my fellow Pagans. Everyone goes through moments of spiritual dissonance. Sometimes they are severe and persistent, sometimes they have a singular cause, sometimes they seem to come from nowhere. Sometimes overcoming them requires patience and persistence, sometimes it requires going another way for a while. All we can do in the meantime is remind ourselves that spiritual life is a journey. Sometimes we get lost (or only think we get lost), but all we can do is keep going. It is only when we've stopped that we've truly lost our way.
As I said, by that point, I had almost no remaining connection to my gods. And whatever was left was shattered by that declaration. Despite the fact that part of me knew how ridiculous his claim was, the other part of me, the part that was still the submissive student, figured that he had to be right. He knew a lot of things, had been my trusted teacher and priest for years. If anyone could know such a thing, it had to be him, right? The sensible part told myself that if this was correct, Morrighan herself would have told me so - and yet I felt no such outrage. But on the other hand, I wasn't feeling much of anything. The frightened part of myself said the silence was proof that Morrighan had to be pissed off at me. She was pissed off because I was ignoring her, because I was a terrible student, and because I was being whiny and weak for not doing more for the temple, despite all I had already given and how exhausted and strained I had become. I was a failure, plain and simple. I was not worth Morrighan's time. I was not worth any god's time.
For a couple of months after I left the temple, my spirituality was more or less nonexistent. The gods and the lore were always in the back of my mind, but I couldn't bring myself to do much of anything about it. There were still too many wounds that were still too fresh. Then I got into Kemetic religion, and learning about something so different helped to ease me back into a spiritual state of being. As a result, I was able to make more of an effort to reestablish a connection with my Celtic beliefs and practices. It wasn't much; an Imbolc celebration here, a little offering there, and maybe a couple of prayers in between. Still, there wasn't much feedback. By the time I wrote this post, I had realized that my Celtic practices still carried too many negative associations from my time at the temple, and thus decided to set them aside altogether to focus on my Kemetic ones. That post was a dedication to Morrighan and An Badb Cath before I went on my way, in case I would never be able to return to them.
Then something amazing happened. Last week, I felt a calling. I sat down in front of my long-neglected Celtic altar, and felt inspired to make offerings to Morrighan. It had been months since I had done any such thing, and the feeling I got from her was unlike anything I'd experienced before. In most ways she was the same; Morrighan's presence always felt to me like I was being wrapped in a darkness that was all at once beautiful, powerful, and comforting. But this time there was something more. There was a loving, caring, warm welcome. I was the child, confused and unhappy, who had to go her own way for a while; she was the mother who let me go, knowing that I had to have my own adventures and make my own mistakes. That offering was the homecoming. She welcomed me with a hug and a glad heart, as if to say, "you're finally here. I've been waiting for you, and I'm so happy to have you back. Welcome home!"
I finally feel like I can return to my Celtic practices. They feel new, and whole, and most importantly, they feel like mine. I doubt that Morrighan was ever outraged at me. I don't know why my former teacher told me such a thing. Maybe he was mistaken, maybe he was projecting his own frustrations, maybe he was trying to manipulate me. I don't think I'll ever know, but at this point, it doesn't matter anymore. I believe that Morrighan wanted me to go my own way for a while and figure things out for myself. I also believe that she called me when she knew I sorted my issues out, and that she knew I'd come back. Regardless of what happened at the temple, or what baggage it left me with, I know now that Morrighan is indeed my goddess, and that I am her child. I know that she wants me around, that she loves me. I see now that the rough road was worth it for this affirmation.
The reason I am sharing all of this is not to air my dirty laundry on a public forum. I have said the things that I have said only because they are a part of my story of uncertainty and disconnection. I have said the things I have said to show how shattered my faith had become, and subsequently, how it became restored. I have said these things with the hope of encouraging my fellow Pagans. Everyone goes through moments of spiritual dissonance. Sometimes they are severe and persistent, sometimes they have a singular cause, sometimes they seem to come from nowhere. Sometimes overcoming them requires patience and persistence, sometimes it requires going another way for a while. All we can do in the meantime is remind ourselves that spiritual life is a journey. Sometimes we get lost (or only think we get lost), but all we can do is keep going. It is only when we've stopped that we've truly lost our way.
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Praise to The Great Queen! |
Monday, December 3, 2012
Papyrus Painting - Serqet
Here is a picture of Serqet that I painted for one of my friends for her birthday. Because blasphemy is fun, I took the liberty of depicting the scorpion atop her head in a more lifelike fashion, rather than the stingerless, legless manner it usually is.
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Serqet, She Who Causes the Throat to Breathe |
Wednesday, October 31, 2012
Happy Samhain!
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Used with permission by Jenny Mathiasson. Thanks, Jenny! |
I know that this comic is Kemetic, and that Samhain is a Celtic holiday, but I like to think that this sentiment applies to everyone, no matter the religious or spiritual path (or lack thereof). For me, the most important part of Samhain is honoring my ancestors. There are Kemetic holidays with the same purpose, but like a bad Kemetic practitioner, I haven't celebrated any of those yet. It is said that the veil between the worlds is thinnest at Samhain, and maybe it's a lifetime of adoring Halloween, over a decade and a half of being Pagan, or the dramatic shift of the seasons towards Winter, but I swear I can feel it.
My observance of Samhain this year will be centered around tending a special shrine for them. Yet the important part will come after the day's festivities are over. I hate to admit that in the past I haven't been diligent about my ancestor worship, but that's something I've recently decided to work on. After all, their presence in our lives isn't restricted to just one day of the year. They are always with us, both figuratively, and in a very real sense. It's because of our ancestors that we're here. We literally owe them our lives. We come from their blood, some of them share our memories, and they help shape our experiences and worldview.
Parties are all well and good, but they really do deserve more than one night.
Tuesday, October 2, 2012
Why I Am Not a Vegetarian
It was supposed to be springtime, but when we arrived at that remote patch of forest in western Wisconsin, there was about 18 inches of snow on the ground. There were seven of us, all members of my then-temple and spiritual family. Between us, there were two hatchets, a few knives, some blankets, and the clothes on our backs. We brought no food because we were going to hunt and gather our own, we were going to build our own shelters, and we were going to live that way for three days. The setting may sound extreme, but we were not there for camping; we were there on a retreat. Our intention was to meet Nature Itself, to learn not only about survival, but to learn something about spirituality. What better way to do that than to let Nature be your teacher?
There was indeed one very important lesson I learned on that retreat, and it is one that I continue to keep close to my heart. Our first day out, a lone porcupine had the misfortune of being spotted by a fellow student. To make this part of the story short, we hunted, killed, butchered, and ate the porcupine (who we posthumously named Penelope). Now, I didn't kill Penelope myself, and I didn't butcher her myself, but I watched all of that happen, and I ate her. I was an accessory to her murder, and in my opinion, just as guilty of it as the ones who did the deed.
Before that retreat I had long toyed with the idea of becoming a vegetarian, and considered endlessly the ethics of eating animals. I always wondered if I could stand to kill and butcher an animal, and whether or not I was a hypocrite for eating meat while being so far removed from that process. Intellectually, I knew all about the circle of life; there was even a whole song about it in "The Lion King." Animals eat other animals to survive, and in the end, everyone becomes compost. That's just how nature works. I also knew that humans are, essentially, animals, and we've eaten (and been eaten by) them for as long as we've been around. Yet my experience with Penelope tore all of those ideas from the realm of the theoretical. Being an active participant in that cycle made me face it as a reality.
As difficult and uncomfortable as the retreat was physically, the experience with Penelope was by far the hardest part of it to deal with. To this day, it remains one of the most difficult trials I've ever faced. I wondered how I, a self-professed animal lover, could possibly justify participating in such a thing. But it was cold, I was hungry, and I wanted to survive. In the end, Penelope taught me what it means to take a life to sustain my own. Her memory serves as a constant reminder that I am as much a part of that cycle as she was, along with the worms, the wolves, everything.
Vegetarians and vegans often say that our intellect and conscience gives us the ability (or obligation, according to some) to choose not to eat animals or animal products. While I do deeply respect and admire the decision to not eat animals, I personally feel that that decision would remove me from an important natural order. As modern people, many aspects of our lives are so far removed from nature already. Eating food, regardless of whether or not you are a vegetarian, is too often a thoughtless task, taken for granted. In the end, my conclusion was that it's not about not eating animals, but about honoring their lives and their sacrifice. It's about making sure that the lives we take are treated with dignity and respect while they are here. Being mindful of where my food comes from became the more meaningful choice for me.
While I could go on, I hate being long-winded in my posts. Instead, I'll simply recommend that you read two great articles that better express the ethics of food: "My Vegetarian Adventure" and "Beyond Halal."
There was indeed one very important lesson I learned on that retreat, and it is one that I continue to keep close to my heart. Our first day out, a lone porcupine had the misfortune of being spotted by a fellow student. To make this part of the story short, we hunted, killed, butchered, and ate the porcupine (who we posthumously named Penelope). Now, I didn't kill Penelope myself, and I didn't butcher her myself, but I watched all of that happen, and I ate her. I was an accessory to her murder, and in my opinion, just as guilty of it as the ones who did the deed.
Before that retreat I had long toyed with the idea of becoming a vegetarian, and considered endlessly the ethics of eating animals. I always wondered if I could stand to kill and butcher an animal, and whether or not I was a hypocrite for eating meat while being so far removed from that process. Intellectually, I knew all about the circle of life; there was even a whole song about it in "The Lion King." Animals eat other animals to survive, and in the end, everyone becomes compost. That's just how nature works. I also knew that humans are, essentially, animals, and we've eaten (and been eaten by) them for as long as we've been around. Yet my experience with Penelope tore all of those ideas from the realm of the theoretical. Being an active participant in that cycle made me face it as a reality.
As difficult and uncomfortable as the retreat was physically, the experience with Penelope was by far the hardest part of it to deal with. To this day, it remains one of the most difficult trials I've ever faced. I wondered how I, a self-professed animal lover, could possibly justify participating in such a thing. But it was cold, I was hungry, and I wanted to survive. In the end, Penelope taught me what it means to take a life to sustain my own. Her memory serves as a constant reminder that I am as much a part of that cycle as she was, along with the worms, the wolves, everything.
Vegetarians and vegans often say that our intellect and conscience gives us the ability (or obligation, according to some) to choose not to eat animals or animal products. While I do deeply respect and admire the decision to not eat animals, I personally feel that that decision would remove me from an important natural order. As modern people, many aspects of our lives are so far removed from nature already. Eating food, regardless of whether or not you are a vegetarian, is too often a thoughtless task, taken for granted. In the end, my conclusion was that it's not about not eating animals, but about honoring their lives and their sacrifice. It's about making sure that the lives we take are treated with dignity and respect while they are here. Being mindful of where my food comes from became the more meaningful choice for me.
While I could go on, I hate being long-winded in my posts. Instead, I'll simply recommend that you read two great articles that better express the ethics of food: "My Vegetarian Adventure" and "Beyond Halal."
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In memory of Penelope. May the gods grant you a good afterlife, and a swift return to this one. |
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